Yōko Ōta | |
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Born | 18 November 1906 Hiroshima, Japan |
Died | 10 December 1963 |
Occupation | Writer |
Genres | Atomic Bomb Literature |
Notable work(s) | City of Corpses |
Yōko Ōta (大田 洋子 Ōta Yōko , 18 November 1906 - 10 December 1963) was a Japanese author of Atomic bomb literature.
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Ōta was born as Fukuda, Hatsuko in Hiroshima city, her parents divorced when she was eight and she moved to live with the Fukuda family. As a young girl she read Takuboku Ishikawa and Shusei Tokuda, as well as Goethe and Heine. She also read and was influenced by Tolstoi. After graduating high school she worked as a primary school teacher and took various secretarial jobs, moving frequently among Tokyo, Osaka, and Hiroshima. She married in 1926 but absconded, leaving one child. On the invitation of Kan Kikuchi, she came to Tokyo in 1926, where she began to work as a magazine reporter. Whilst working as a waitress in Osaka she began to write serious fiction, in around 1929. Ota worked her way into the literary scene through her involvement in the activities of several literary magazines, contributing to journals such as Nyonin Geijutsu.
In 1940, Sakura no kuni (“The Cherry Land”) was awarded a prize by the Asahi newspaper, and received considerable public acclaim. In August 1945 she experienced and survived the atomic bombing of Hiroshima. Stricken with the fear that she would become a victim of radiation sickness, she worked feverishly to complete Shikabane no machi (“City of Corpses”), an account of her experiences in Hiroshima at the time of the bombing. The novel was written in the autumn of 1945, but then was censored and finally published three years later with portions deleted. This was followed by Ningen ranru (“Human Tatters”), which was awarded the Women's Literary Prize. “City of Corpses” was first published in 1948, and Hotaru (“Fireflies”) in 1953. Han ningen (“Half human”), first published in 1954 and awarded Peace Cultural Award, portrays the struggle with mental illness of an author threatened by radiation disease and fears of an impending world war. The effects of the bomb caused her physical condition to deteriorate and she reached the limits of her literary work. She changed her style to first person narratives of internal mental states. The four-volume “Ōta Yōko shū” (“Collected works of Yōko Ōta”) edited by Ineko Sata et al., was published posthumously in 1981.
Ōta died suddenly of a heart attack in 1963, whilst bathing in a hot spring in Inawashiro, Fukushima.